|Title: ||Memories of Violencia in the work of the Colombian artist Doris Salcedo: a subjective view|
|Affiliation: ||Anglia Ruskin University|
|Reference: ||Acevedo, B., 2011. Memories of Violencia in the work of the Colombian artist Doris Salcedo: a subjective view. Journal of Arts and Communities, 2(2), pp.153-170.|
|Journal: ||Journal of Arts and Communities|
|Issue Date: ||Jul-2011 |
|Additional Links: ||http://openurl.ingenta.com/content/xref?genre=article&issn=1757-1936&volume=2&issue=2&spage=153|
|Abstract: ||The work of Colombian artist Doris Salcedo has become an important reference when talking about art and its representation of violence and exclusion. Following a tradition stemming from the artistic movements of the twentieth century, Salcedo has been acknowledged as one of the most intriguing and original artists in her exploration of public tragedy, the delicate issue of human rights and the trace of violence in those who are left behind. Salcedo’s undertaking does not address those tangible manifestations of evil; instead, her work goes beyond the surface, inviting the spectator to a journey inside … into memories and feelings, into fears and intimate spaces. In this article, I offer a discussion regarding places, intersections and motivations in Salcedo’s oeuvre and suggest some echoes between certain philosophical foundations of her work in relation to human rights in the case of Colombia. This article addresses the invitation for this Special Issue on Arts and Human Rights, focusing on the case of Colombia, where a systematic and ongoing crisis has damaged fundamental human rights for those affected by the civil conflict. In addition, as part of my work in management and organizational studies, I consider how Doris Salcedo’s reflection is relevant to our understanding of labour and contemporary organizations.|
|Appears in Collections: ||Lord Ashcroft International Business School (LAIBS)|
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