Hdl Handle:
http://hdl.handle.net/10540/250751
Title:
Triggered
Authors:
Hoadley, Richard; Frances-Hoad, Cheryl; Hall, Tom; Turner, Jane
Affiliation:
Anglia Ruskin University
Reference:
Hoadley, R., Frances-Hoad, C., Hall, T., Turner, J., 2011. Triggered. London, Kings Place, 13 June 2011. Available at: <http://rhoadley.net/triggered> [Accessed 1 November 2012].
Issue Date:
13-Jun-2011
URI:
http://hdl.handle.net/10540/250751
Additional Links:
http://rhoadley.net/triggered; http://vimeo.com/user2264395
Abstract:
Triggered examines the nature of electronic and digital interfaces for musical expression through the specific use of sensors the data from which is used to control multiple (and changing) musical parameters as developed using the music and audio language SuperCollider which provides a structured environment essential for developments such as this. With rehearsal, these devices enable levels of expression and diversity not generally available using conventional electronic and digital interfaces, the latter too frequently being restricted to the direct control of a limited number of musical parameters. The combination of specific hardware design and algorithmic manipulation brings particular interest and benefit to the activity, especially when combined with the expressive potential of dance and movement. The way that dancers interact with prototypical interfaces comprising clusters of sensors generating music algorithmically provides a method of investigating human actions in this environment. This is achieved through collaborative work involving software and hardware design, musical composition, sculpture and choreography.
Type:
Performance; Recording, musical
Language:
en
Keywords:
music; dance; movement; embodiment; algorithms; SuperCollider; Arduino

Full metadata record

DC FieldValue Language
dc.contributor.authorHoadley, Richarden_GB
dc.contributor.authorFrances-Hoad, Cherylen_GB
dc.contributor.authorHall, Tomen_GB
dc.contributor.authorTurner, Janeen_GB
dc.date.accessioned2012-11-01T11:04:16Z-
dc.date.available2012-11-01T11:04:16Z-
dc.date.issued2011-06-13-
dc.identifier.citationHoadley, R., Frances-Hoad, C., Hall, T., Turner, J., 2011. Triggered. London, Kings Place, 13 June 2011. Available at: <http://rhoadley.net/triggered> [Accessed 1 November 2012].en_GB
dc.identifier.urihttp://hdl.handle.net/10540/250751-
dc.description.abstractTriggered examines the nature of electronic and digital interfaces for musical expression through the specific use of sensors the data from which is used to control multiple (and changing) musical parameters as developed using the music and audio language SuperCollider which provides a structured environment essential for developments such as this. With rehearsal, these devices enable levels of expression and diversity not generally available using conventional electronic and digital interfaces, the latter too frequently being restricted to the direct control of a limited number of musical parameters. The combination of specific hardware design and algorithmic manipulation brings particular interest and benefit to the activity, especially when combined with the expressive potential of dance and movement. The way that dancers interact with prototypical interfaces comprising clusters of sensors generating music algorithmically provides a method of investigating human actions in this environment. This is achieved through collaborative work involving software and hardware design, musical composition, sculpture and choreography.en_GB
dc.language.isoenen
dc.relation.urlhttp://rhoadley.net/triggereden_GB
dc.relation.urlhttp://vimeo.com/user2264395en_GB
dc.subjectmusicen_GB
dc.subjectdanceen_GB
dc.subjectmovementen_GB
dc.subjectembodimenten_GB
dc.subjectalgorithmsen_GB
dc.subjectSuperCollideren_GB
dc.subjectArduinoen_GB
dc.titleTriggereden
dc.typePerformanceen
dc.typeRecording, musicalen
dc.contributor.departmentAnglia Ruskin Universityen_GB
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